Oddly enough, the Eastern bloc regimes that practised bogus communism, tolerated sci-fi themes in arts and literature, despite of treating suspiciously anything what seemed even a little bit ambiguous. In the times when artists had to live with constant unease of having their works censored, may it be for wrongRead More →
Ancient Methods is now a one-man operation of the Berlin producer Trias who designed a mix for the Secret Thirteen webzine. The selection largely deviates from Ancient Methods’s annihilating techno war funk and presents the introspective side of the artist’s mind archives, for example featuring contemporary classical guru Arvo PärtRead More →
A new noise and experimental project on the Manchester label Slip Discs. “Crystals Are Always Forming” is the debut of Leo Abrahams and Oliver Coates who have ventured on the cohabitation of cello and electronics. Eleven compositions totaling about 33 minutes witness a range of slow and stretched drones hoveringRead More →
Now there is an opportunity to perceive the processes inside the brain of Decimus [Junius Brutus Albinus], the assassin of Julius Caesar, with about forty-five minutes of chaotic and depressed sound experiments. A-side is introduced by double bass and classical notes before subtle H-bomb percussion and frightening moaning enters theRead More →
For listening “Heliograms” living room is the minimum requirement because the album aims to the spheres well above the clouds, even higher than the normal cruise altitude. Crystal clear skies would be a perfect setting for a sacral experience with the music of Jean Piché. Especially the first composition, “Ange”,Read More →
Rating: 8/10 Fehlmann’s every new release is significant. After world-changing days in The Orb, and before that in Palais Schaumburg, one can expect the gentleman would spend quiet days in the Caribbean, after a man’s work in the world or music. But Fehlmann is still around and returns to KompaktRead More →