This is Terminal 313’s musical alphabet to sum up the year 2015. Many of the entries have been covered in the blog posts and some of the mentions are about my long-time favourites who had a strong year. PART ONE: FROM A TO L Ancient Methods. The year of industrial techno’s genre-definingRead More →

“Replicants”, the first full-length compilation on Inner Surface Music, recalls for some reason the 1990s when techno samplers were a common thing and beside of quantity provided timeless selections of the contemporary sound. There were even special labels, like New Electronica which was licensing material from other outlets, not to speak about much-acclaimed series likeRead More →

All of a sudden, Room 506 is inaugurated with a landmark release, giving us a new definition of industrial sound rites. Orange marbled vinyl* that has been selling out quickly, will be a dominant release at the year’s end and strong contender in the race for the very best of 2015. Steely kicks andRead More →

Electronic music’s foremost Afro-futurist keeps up the connection to Interdimensional Transmissions: Ten years after the label debut as I.B.M. (=Insane Black Man), Jamal Moss reappears at the Ann Arbor squad under the same alias. It turns out that Moss had something to hide back in the days, because the double vinylRead More →

Gesloten Cirkel’s double strike on Murder Capital is a much-awaited move after the artist’s electrifying album “Submit X” last year. Two heavy pieces of ‘untitled’ vinyl, again appearing on the same Viewlexx offshoot, contain six floor-shakers signed by Ratsnake the man. Both twelves reflect the producer’s proper homework in dance music history, which serves asRead More →

Yambo, the main character in Umberto Eco’s novel “The Mysterious Flame of Queen Loana”, returns to the childhood home for a memory recovery. For getting cured, he is browsing childhood memorabilia – books, magazines, vinyl records, thus delving into the popular culture from the beginning of the 1930s. Leaving aside the memoryRead More →